Run For Your Life - The Beatles
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"Run For Your Life" - The Beatles (1965)
“Run For Your Life” was inspired by the an old blues song that Elvis Presley recorded, "Baby, Let’s Play House". The opening line “I’d rather see you dead little girl, than to be with another man” was copied word-for-word.
“It was just sort of a throw away song of mine that I never thought much of, but it was always a favorite of George’s.”
An instantly attractive melody, “Run For Your Life” features a rare presence of traditional blues and country lyrics in the group’s songwriting. Lennon produced a lazily sexist lyric unmitigated by any saving irony. His voices lilts over the lyrics, injecting them with a quiet malice rather than shouting angrily.
The track features sparse musical instrumentation: an acoustic, electric, and bass guitar, a lightly exercised drum kit, and tambourine. The guitars are carefully layered and soaked in a particular style of three-part harmony which will soon become The Beatles’ trademark.
Musicologist Tim Riley commented how from the very opening seconds of the song, a driving acoustic guitar sets the tone:
“It is one of unwavering obstinance that only accentuates the insecurity that stirs beneath it. The vocal harmonies are drawn so close they’re disharmonious, stinging with accusation.”
If the narrator sees his girl with anyone else she’s better run because he’s going to bump her off. The singer explains his behavior by saying that he’s “wicked” and that he was born with a “jealous mind.” He threatens his lover and declares that he’ll “go out of his mind” In the sequel, the threat is far more specific and deadly, as he declares: “I’d rather see you dead little girl/than to see you with another man.”
Never before had a Beatles song been so mean-spirited. It epitomizes all the violence and selfish aggressiveness that Lennon would later be forced to come to terms with.
Putting the track into perspective, Professor Ken Womack concludes:
“Although it serves as an unfortunate coda for Rubber Soul, the album was truly a watershed moment—an unmistakable harbinger for innovative and even more provocative works of musical art.”
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